Till it’s gonet
oryginal tittle: “Till it’s gone”
Józef Brandt’s Palace, Center of Polish Sculpture in Orońsko, 2021
Curator:
Leszek Golec
Photo:
Maciej Domagalski, Marek Karkoszka
Sculpture:
Shade (2021)
Mixed media, jute bank bags, natural furs
220 x 230 x 210 cm


Suffering of animals in the name of outdated fashion and the enrichment of individuals
Ida Karkoszka's exhibition Till It’s Gone, displayed at the Józef Brandt Palace in Orońsko, delves into the critical issue of the fur industry and the senseless suffering it inflicts on animals. Her monumental fox sculpture, positioned within the historic surroundings of the palace, is a striking commentary on the exploitation of wildlife for luxury and fashion. The fox, caught in the act of scratching its ear, has its tail made from fur collected through a public donation campaign, transforming it into both a poignant symbol of suffering and a call for awareness.

The juxtaposition of this contemporary piece with the aristocratic backdrop of the palace, which has long been associated with hunting, draws attention to the stark contrast between past traditions and modern-day ecological crises. The fur trade, still prevalent today, contributes to the immense suffering of countless animals, and Karkoszka’s work becomes a forceful critique of this industry.
By presenting her work in this historically significant space, Karkoszka amplifies the message of the needless violence inflicted on animals in the name of fashion and tradition. The fox, symbolizing a victim of senseless cruelty, serves as a stark reminder of the urgent need for change in our attitudes toward animals and the fur industry.
Through this powerful artistic intervention, Karkoszka emphasizes that the fight against the fur industry is not just about the preservation of animals, but also about a fundamental shift in how we view and value all living beings in our world.


SCULPTURE 
Shade
(2020)
220 x 230 x 210 cm
Mixed media, jute bank bags, natural furs