So long as we still live

oryginal tittle: “Póki my żyjemy”

 

9TH YOUNG TRIENNALE in Orońsko Center of Polish Sculpture in Orońsko, 2020

 

 

Curator:

Marta Czyż

 

Photo:

Jan Gaworski, Piotr Szmyt

 

Sculpture:

Rhea Silvia (2020)

Own technique. Corn meal, wood.

88 x 150 x 70 cm

So long as we still live
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Ninth edition of the Young Triennial focuses on themes connected with sustaining… the global climatic balance

 

To participate, the curator Marta Czyż has invited 32 young generation artists who address these issues in their everyday practice. Within the framework of the Triennial all the artists have had a meeting with the curator as well as their mentors (Bożena Kowalkowska, Urszula Zajączkowska, Agata Zbylut, Leszek Golec and Jarosław Lubiak), during which the participants discussed what art should look like, what tasks it ought to perform and how it should be displayed in order to minimize the degrading activity of man – including artists’. The worked out ideas and solutions are going to be presented in an exhibition and in the form of joint activities.

 

[…] So Long as We Still Live is an attempt to become part of the process of changes in art because young artists who look around themselves notice global problems as well as those lurk- ing round the corner. They fear the changes which have just occurred and those they perceive every day – important on the eve of developing their professional practices. The participants of the exhibition respond to these changes in the language they use. This awareness is revealed not only in their works but also in their way of life and way of co-participating. Some of them display anger and negation, others show hope and a willing- ness to solve the matters which they may not be able to solve systemically, but thanks to their work they will still be able to function in the profession.

 

On the island, there are about 300 churches and chapels that were built to protect fishermen during their long sea voyages. The white houses carved into the rock, or more precisely into solidified lava, contrast with the blue domes. Today’s buildings on Santorini were constructed upon an ancient civilization that was destroyed by a volcanic eruption. And this could actually be read as some sort of metaphor. Archaeological research is still uncovering valuable artifacts, such as a stone sacrificial table with a painted underwater landscape, among which dolphins swim.

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The artists face a new but still relevant task. They are fighting for the causal power of art, for being present and needed. This time, however, not to defend themselves as artists but as individuals who react and work for the sake of a dying planet

 

TIf we still want to commune with art, because even non-professional audience cannot imagine functioning without it, what is it supposed to be like in the years to come and what is it going to be when we are inundated by the excess of messages, information and objects around us. Creating art is not a simple task today. It falls outside the schemata of usefulness and giving beauty. It is something in-be- tween. It tries to find itself in social and activist activities. All the more my choice of artists presented in Orońsko was oscillating around various stances, closer to an encyclopedic selection so that I could give each of them equal chances to show their approach towards the existing situation. We live in the times of disaster happening here and now. The question the world of art may ask is one about our sense of its further existence. At the moment of melting glaciers, devastating drought, shortage of food and poverty affecting humankind, does art still have sense by lasting in its present form?

[…]”

 

Marta Czyż

 

Artists: Yuriy Biley, Paweł Błęcki, Diana Grabowska, Bruno Althamer, Tymek Bryndal, Patrycja Cichosz, Adelina Cimochowicz, Jakub Danilewicz, Franciszek Drażba, Emilia Dudziec, Karolina Gardzilewicz, Ewa Goral, Tomek Haładaj, Łukasz Horbów, Aleksandra Jagła, Jakub Jakubowicz, Ida Karkoszka, Karolina Konopka, Agata Lankamer, Julia Łukasiak, Katarzyna Malejka, Paweł Marcinek, Gabriela Matuszewska, Maria Nova, Kolektyw Łaski, Szymon Popielec, Tomasz Paszkowicz, Patryk Różycki, Aleksandra Sarna, Kuba Stępień, Natalia Sucharek, Kacper Szalecki Mentors: Leszek Golec, Bożena Kowalkowska, Jarosław Lubiak, Urszula Zajączkowska i Agata Zbylut.

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Rhea

Rhea Silvia

(2020)

 

80 x 150 x 70 cm
Own technique. Corn meal, wood